Author: davidryle
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9m 52sLenght
29Rating

A pastiche blend of Berlin School and Blade Runner soundtrack vibe. The bass line is sculpted with a pair of Arp 4072 style filters. The Yusynth Arp 4072 and the STG Soundlabs Post Lawsuit Low Pass Filter are tapping a pair of Q106 VCO's and run in parallel to a mixer. The Yusynth filter is routed through a Behringer Space-C CC300 Chorus pedal prior to the mix. The sequencer for the bass line is the STG Soundlabs Voltage Mini Store. Timing for the bass line is from the STG Soundlabs Time Divider in dotted quarter notes. Master clock time is within the modular from an SSL TapTempo LFO. A mix of dotted eighth and sixteenth notes against some triplets and straight time notes round out the various sequencer clocks. The manually played parts (E.Piano and Strings) are on a Casio Privia PX-5S and a Novation ReMOTE (flutey Mellotron) from a SampleTron vst in Cubase. All recorded in real-time stereo track to Cubase. Video edited in Final Cut Pro. If it isn't obvious, the inspiration for this track came from a (weak) combination of Redshift's "Aquamarine" off of "Fracture" and some more recognizable Tangerine Dream rips as well as the blatant Vangelis "Blade Runner" blues scale renderings. It's all in my head but rarely comes together in a way which can be presented (not that this is in any way "presentable"). Certainly an amateur-ish nod and wink, but regardless - my thanks to the various true artists for providing the great musical inspiration.