Author: CinemaTyler
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In this section, we take a look at the first half of the “Jupiter and Beyond the Infinite” sequence including: how Douglas Trumbull created Jupiter, scrapped ideas for how to begin the Stargate, the origins and construction of the “slit scan” effect, how Stanley Kubrick created massive cosmic events with ink, paint, and banana oil, how Bryan Loftus changed the F Stop of the layers during the Technicolor process to create the bizarre colors they used for the landscape shots, and the “City of Lights” effect that was ultimately cut from the film. Support this channel on Patreon: https://www.patreon.com/cinematyler Twitter: http://twitter.com/cinematyler Facebook: http://facebook.com/cinematyler Tumblr: http://cinematyler.tumblr.com This video essay was written, edited, and narrated by Tyler Knudsen. Description of Slit Scan Camera Mechanism by Douglas Trumbull http://imgur.com/a/HUT6O Rare 1967 Stanley Kubrick's '2001: A Space Odyssey' trailer w/ Douglas Trumbull test footage - Eyes on Cinema https://youtu.be/b6xeHpmm1ag Clips: A Voix Nue - Stanley Kubrick Interview Bluray Commentary – Keir Dullea Making the Stargate Sequence Douglas Trumbull – Master Class – Higher Learning Text: Sir Arthur C. Clarke: Odyssey of a Visionary Cinefex #85 John Whitney Wiki Editing and Special/Visual Effects edited by Charlie Keil, Kristen Whissel TV Store Online: http://blog.tvstoreonline.com/2015/04/2001-space-odyssey-interview-series.html Bryan Loftus Andrew Birkin Music: “What Does Anybody Know About Anything” by Chris Zabriskie “God Be With You Till We Meet Again” by Chris Zabriskie “But Enough About Me Bill Paxton” by Chris Zabriskie “I Don’t See the Branches I See the Leaves” by Chris Zabriskie “I Want to Fall in Love on Snapchat” by Chris Zabriskie